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A&T STATE UNIVERSITY GREENSBORO, N.a 27411 l Ai ( I V a SEm F. Harper 19 ^KM 20 Freshmen Tony Hayes Willie Hester Dominique Higgs Coffy Hines Holly A. Epperson Tiffany Eubanks Tongeia Everette Lesley D. Harrison Players LUNCHEON Introduction of First Presentor Herman Dixon Student Government Association Speaker Bennle Brewlngton, III Student Leader Selection Christopher Sutton Chaplain, Football Team Introduction of Second Presentor Tremayne J. It symbohzes our "NEW BEGIN- NING" as well as the fervor in which we enter the New Era. AGGIE PRIDE-rejuvenated, reborn, revived Displayed in our political stride! AGGIE PRIDE-aggressive, achieving, allied Displayed by every alumnus "worldwide" AGGIE PRIDE-regal, revered, renown Displayed by Beauty, who wears our crown! Williamson Chemistry College of Arts And Sciences Dr. Meada Gibbs Business Education and Administrative Services School of Business And Economics Dr. Physical Education and Recreation School of Education Dr. Chowdhury Manufacturing Systems School of Technology Dr. Peter Rojeski, Jr, Architectural Engineering School of Engineering Dr. King Chemical Engineering School of Engineering Dr. Murray Civil Engineering School of Engineering \ 300 CHAIRPERSONS r DR. Gill Chantelle Grady Cindy Greene Dovetts Hairston Latisha Hamilton Cynthia Hampton Shandette E. Dumas Tara Dunnigan Christa Eaves Dan Edwards Corey Elliott Vincent Elliott Jelvaner Ellison Kevin Elwood Wendell Ely Ubani Eni Charlene A. Smith Vice- President, Internal Affairs, SGA Invocation Mingo Long Actor, Richard B. her century of Excellence." Our past has laid an enriched foundation that enables us to move into "A NEW ERA IN ACTION." This New Era In Action is more than a homecoming theme. Wilbur Smith Mathematics College of Arts And Sciences Dr. Mark Kiel Accounting School of Business And Economics Dr. Johnson Business Administration School of Business And Economics Dr. John Spurlin Electronics & Computer Technology School of Technology Dr.Is it possible for popular music to outlive its moment and become timeless? When the others didn’t show up for interviews or television shows or concerts, I was the one who was there.” (Lear’s, March 1992, p.Diana Ross was born March 26, 1944 to idealistic, hard-working African-American parents in Detroit, Fred and Ernestine Ross; and she said in her memoirs, Secrets of a Sparrow (Villard, 1993), that she was brought up to believe that anything was possible and that hard work was a part of that; and that ambition was simply part of her life force. I was a good swimmer, a good runner, nothing bored me. 108) The songs were popular across America and the world, beyond divisions of class, gender, and race.Since then, it’s become a staple of professional, amateur and school theatre to the point of almost becoming a cliche.A show like this needs a vibrant production to bring it out of the realm of “been there, seen that”.
Ultimately, though, while I find this production thoroughly entertaining, I was expecting “amazing” and what I see here is simply “very good”.Diana Ross, a singer of songs of anticipation, fascination, and delight, is not only a distinguished singer and actress, she’s an American dream.Ross was named Female Entertainer of the Century by Billboard magazine, received a special Tony for her stage show “An Evening with Diana Ross,” received numerous American Music Awards, and was nominated more than ten times for a Grammy Award and given the Heroes Award by the National Academy of Recording Arts and Sciences.The new marketing category of ‘urban music’ (2) approximates this demographic well enough, reflecting both the multicultural atmosphere of urban centres and the generic hybridity of sounds which variously blend rap, soul, reggae, calypso and bhangra (among others).Under such pressure from consumers and MTV, and from a rising tide of home-grown production and performing talent, the mainstream UK industry is finally failing to sustain its historic policy of granting only periodic novelty value to urban music, which now dominates the Top 20 and provides most of those hits not manipulated into place through media hype and the complicity between record companies and retail cartels.